Ferlerne Skaden / Verloren schaduwen
‘Der is gjin ljocht sa skel of der is skaad by’ / ‘There is no light so bright or there is a shadow’ / ‘Er is geen licht zo fel of er is een schaduw’
An invitation to dance with your shadow…
A shadow always follows you, what if you follow your shadow?
Your body casts a shadow, but what shape does it take?
Every light causes a shadow, but what if a shadow alters the light?
And if we loose our shadow, do we loose ourselves?
A cocoon lies on stage, barely recognisable in the dim light. Slow tones are sounding in the space. The light seems to change color – the tones are changing slowly in pitch. The cocoon seems to move – the light seems to get brighter and gradually shift color. Suddenly a fast movement – a shrieking sound fills the space – then again everything quiets down – the movement, the sound, the light.
N-Polytope is a spectacular light and sound environment combining cutting edge lighting, lasers, sound, sensing and artificial intelligence software technologies inspired by composer Iannis Xenakis’s works named “Polytopes”.
Just Noticeable Difference (JND) is a sensory environment for one person at a time lying in total darkness, and explores the gaps in seeing, hearing and feeling, the fluctuation of noise and order and the play between sensation and sense making directly taking place at the level of bodily experience.
be, character, creature, essence, gist, nature, being, intelligence,
Wezen is a solo music-theatre work where I try to explore the relationship between theatrical gesture and musical instrument, between the body and the sonic world.
Collaboration with Attakkalari Center for Movement Arts, Bangalore, India
Chronotopia is a dance theater re-imagining of the one of the oldest Indian epic poems: the Tamil epic Silappatikaram. Attakkalari’s multi-media dance production is an episodical journey, which explores the movement of five performers through a physical and emotional landscape of contemporary life: birth, love, marriage, war, devastation, death and transformation. Establishing a link, between the landscape and the emotional as well as spiritual mindset of the protagonist, images from ordinary human existence encounter the intervention of inexplicable forces.
In collaboration with Chris Salter and Michael Schumacher
Schwelle II is a live dance theater performance with master improviser and former William Forsythe/Ballett Frankfurt dancer Michael Schumacher. During the fifty minute work, the spectators experience a person undergoing the traumatic transformation of the body in the period between death and rebirth. At first, the spectators witness an almost immobile Schumacher sitting at a table, condemned to execute a series of futile, minute tasks. Violent physical spasms and vocal outbursts interrupt this stasis, overtaking the performer’s body.